“Haim Mazar’s moody score and the period-evocative soundtrack/design choices to the script’s near total absence of self-consciously colorful mobster talk, the Louisiana-shot production exudes control and discipline at every level.”
Read the full article at variety.com
“Another invaluable contribution is Haim Mazar’s score, which molds a sense of unpredictable violence and dread without drawing undue attention to itself.”
Read the full article at hollywoodreporter.com
“Relativity Music Group will release a soundtrack album for the crime thriller The Iceman. The album features the film’s original score composed by Haim Mazar.”
Read the full article at filmmusicreporter.com
“It’s one of the many levels that this darkly mesmerizing score hits, more than proving that newcomer Mazar deserves to be a Hollywood made man.”
Read the full article at filmmusicmag.com
“Things start out with the original music by Haim Mazar getting a really good amount of rear channel use and decent amount of LFE (bass) presence… 30 minutes in the music starts back up, at first subtle, and sets the mood of the film perfectly. The music eventually gets more intense around the halfway mark and is back delivering a really good amount of rear channel presence with a decent amount of LFE. All and all this delivers a solid presentation in terms of sound and does both the film and original music justice.”
Read the full article at highdefdiscnews.com
“The True HD 5.1 Surround mix handles the film’s dialogue with ease, and composer Haim Mazar’s score is well balanced.”
Read the full article at dvdverdict.com